The dichotomy of the sacred and the profane is not equated to notions of good/evil or strictly defined by the canons of taste. Interpreted in the context of its existance, the grotesque and the sublime are interchangable, the lines of which distinguish them blur as we speak.
To fill the vacuum between the polar opposites of high brow/low brow, haute and basse.
The bane of bad graffiti is salvaged by the picturesque medely of moss, mould, peeling paint and shattered windows - the odd displacement of objects and entities culminates into a symphonious melody that piques and provokes.
To practice such artistic "dualism" is to break through the ritual mind - like a bulldozer
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